Harmeet Rattan

Permanent Visibility

[Those] who [are] subjected to a field of visibility, and who know it, assume responsibility for the constraints of power; [they] make them play spontaneously upon [themselves]; [they] inscribe in [themselves] the power relation in which [they] simultaneously plays both roles; [they] become the principle of [their] own subjection.

― Michel Foucault, Discipline and Punish: The Birth of the Prison

 

Harmeet Rattan’s practice is a critique of the hyper-networked surveillance infrastructures that
create a parallel social and political order to the assumed complacency of everyday spaces,
both public and private. Foucault’s writings on the panopticon effect are more prescient than
even, as we are in a state of constant incarceration with surveillance cameras at every street
corner in metropolises like Delhi and the possibility of cell phone cameras peering upon
action/inaction in the most intimate of spaces, while algorithms track and predict our
unconscious patterns of engagement with the digital realm. We are constantly being watched,
and our biology is constantly monitored and traced, which orders our behavior every waking
moment. Rattan develops a material ontology that maps the infrastructure that aids this
all-pervading gaze, pointing to a world submerged beyond the scope of vision, a technocratic
megastructure consisting of cameras, sensors, laser lights, ultrasonic waves and satellites.
The amorphous forms of the fragmented, partially demolished buildings gestures towards
constantly altering cityscapes, and the rush to inscribe and reinscribe human-made structures,
to be contoured to the latest possibilities presented by development-philic updates to physical
infrastructure and technology. The orbit of satellites, and space debris that dot the outer layers
of the Earth's atmosphere lays the blueprint to dictate and control a subterranean future city,
and its aspirations, without asserting their gaze with any visibility to the subjects of their
surveillance. Rattan’s canvases render visible and reify the invisible structures of power that
operate on all life forms across the planet.

HARMEET RATTAN

Born into a family of artists, making art was an integral part of his upbringing. After completing school, he pursued a BFA (Bachelor of Fine Arts) in Sculpture from Punjab University's Govt. College of Art, Chandigarh between 2006-2010. After that, he came to Delhi to complete his MFA (Master of Fine Arts) in Sculpture from the University of Delhi's, College of Art, between 2010-2012.

He is a recipient of KHOJ Support Network Grant by Khoj International Artists' Association, 2020. Harmeet was awarded S. L. Prasher Special Award, an academic excellence award at the Sculpture Dept. during the Annual Exhibition of Punjab University's Govt. College Of Art, Chandigarh in 2010. He is also a recipient of the Photography Award by Chandigarh Lalit Kala Academy (State Academy of Art) Annual Exhibition in 2009 and Sculpture Award (Professional Category) by Chandigarh Lalit Kala Academy (State Academy of Art) Annual Exhibition in 2011.

He has exhibited his works at Gallery Nyva as a part of the show titled "My Nanak", New Delhi Birla Art Academy Annual Show, 2018 | Abir Art Foundation, Gujrat Exhibition, 2017 | 58th National Exhibition by Lalit Kala Academy (National Academy of Art) 2015 | India Art Festival New Delhi 2016 | United Art Fair 2014 | Group Show In Lokayta Art Gallery New Delhi 2014 | Selection By Punjab Lalit Kala Academy in 2010 | S. Sobha Singh Memorial Chitrakar Society In Bathinda 2008 | Group Show 'Rahul Yaadgari Kaushal Mela' Bathinda 2008, 2009, etc. He was a Resident Student at "Ctrl Alt Cinema" Film Appreciation Course 2017 | A Participating artist in Cartist Art Festival Jaipur Curated by Art Critic Johny M L. 2016.

He has been a part of the Stone Carving Workshop By Punjab Lalit Kala Academy (State Academy of Art) 2010 | National Sculpture Workshop at Punjabi University Patiala 2010 | National Workshop 'Samhita' at Delhi College Of Art in 2009 | Kangra Stone Carving National Camp 2008 | Photography Workshop with Raghu Rai by Chandigarh Lalit Kala Academy (State Academy of Art) 2009 | Sculpture Workshop at Chandigarh Art Gallery And Museum 2009 | Apart from this, Harmeet also holds the experience of having worked as an Art Director in a Punjabi Movie titled as 'Stray Star'; and as an Art Director in the Punjabi Movie ' Ek Noor'.

He also takes sculpture workshops for students. He works from Greater Noida, Uttar Pradesh.