Prameya Art Foundation in association with Emami Art and Roli Books and our partners in South Asia, Britto Arts Trust (Bangladesh), Siddhartha Art Foundation (Nepal), Vasl Artists' Association (Pakistan), and Theertha International Artists' Collective (Sri Lanka) invites proposals for artist books from creative practitioners in Bangladesh, India, Nepal, Pakistan and Sri Lanka.
Emami Art, one of the most significant art institutions in the eastern part of India, is a key space for cultural production in the region. The organisation is focused on a future-forward, complex, multi-dimensional approach and steadfast in the advocacy of emerging, mid-career and established artists as well as an engagement with contemporary and historical material. The gallery aims to create dynamic, wide-ranging registers of exhibition-making and viewing. Deeply committed to promoting a regional, national and international agenda through innovative and alternative programming, emphasis on community and socially relevant engagements, institutional partnerships and more via a multi-year vision for the future, Emami Art is resolute to be a catalyst of change, research, innovation and inclusivity.
Britto Arts Trust is an artists’ run non-profit network officially founded in 2002 in Dhaka, Bangladesh with a global reach. It is permanently spaced in Green Road, Dhaka but works extensively in different locations across the country. Britto works as a catalyst for supporting and promoting new ideas.
Britto is an expansive and sustainable contemporary art environment and culture that seeds and promotes multiple interdisciplinary practitioners, groups and networks for the Bangladesh art scene. It provides an International and local forum for the development of professional art practitioners, a place where they can meet, discuss, experiment and upgrade their skills on their own terms.
Britto set up the Bangladesh Pavilion at the 54th Venice Biennale in 2011, also invited to the ‘documenta fifteen’ in 2022.
In 2001, Vasl was established as an artists’ collective, in Karachi, Pakistan. Inspired by the original philosophy of the Urdu word ‘Vasl’, which depicts an intangible form of unison. Vasl Artists’ Association functions as space and platform for nurturing creativity, in addition to encouraging the freedom to create experimental work in artistic practices. Vasl Artists’ Association is affiliated with the Triangle Network, UK. It is an international network of artists and art organizations that support professional development, cultural exchange, and innovation within the contemporary visual arts. Within the past 18 years in Pakistan, more than 660 international and local artists have undertaken Vasl residencies. They have attended workshops, conducted educational outreach and public programs, and created projects of significance.
Sahil Naik is the recipient of Praf Publish 01 2021-22, and will receive a grant to realize the publication of his artist book titled 'The Bird, A Bone and other Witnesses of a Museum Fire'.
Sahil Naik's proposed artist book The Bird, a Bone and other Witnesses in a Museum Fire is a semi-fictional, speculative publication, triggered by the loss of the National Museum of Natural History to a fire in 2016. Using a range of forensic, CGI and investigative devices, along with images and materials sourced by sorting through voluntary public uploads by individuals across the internet, the project attempts to piece together the museum, its possibilities, failures and absent futures through a collision of hard evidence, speculative forms and warm stories. Focusing less on the institution's history, the book embarks on several tangential inquiries of what it could have been, without staying with the objects themselves, and instead free falling through anecdotes, encounters and episodes from time given to and spent in the museum. This exercise will help reframe the museum beyond what the state decided to “museumize” and consider what it omitted, marginalised and murdered to contemplate how stories correspond with objects and instill care and empathy to its dead/alive objects. Could they also be warmed by stories of human pursuit, hope and the resilience of the natural world?
BIO
Sahil Naik's (b. 1991) practice examines the modalities of evidence and states of truth through architecture, minor and casual histories, mythology, forensics and the internet. His current project Monuments, Mausoleums, Memorials, Modernism studies the violence of the nation-building project with a focus on South Asia and the Non-aligned world.
Naik completed his post-graduate studies from the Faculty of Fine Arts, M.S. University of Baroda (Distinction) and an undergraduate degree from Goa College of Art. He has exhibited at the Delfina Foundation and Asia House, London, UK; Bridget Donahue as a part of Condo, New York; Beirut Art Center, Lebanon; Khoj International Artists’ Association and the Serendipity Arts Festival, India; HH Art Spaces, Goa and the Aomori Contemporary Art Center, Aomori, Japan. He was also a recipient of Five Million Incidents, instituted by Goethe Institut New Delhi with RAQS Media Collective. His solo exhibitions include All Is Water And To Water We Must Return (2021), Monuments, Mausoleums, Memorials, Modernism (2020) and Ground Zero (2017) at Experimenter, Kolkata. Sahil is a participating artist at the 5th edition of the Kochi-Muziris Biennale curated by Shubigi Rao (postponed to December 2022).
He is a recipient of the inaugural Warehouse 421 Artistic Research Grant; the Arts (Productions) grant instituted by the India Foundation for the Arts, Bangalore; and the Garage Digital Commission instituted by the Garage Museum of Contemporary Art, Moscow.
APPLICATION GUIDELINES Click here for some Frequently Asked Questions All applications need to be emailed to: Britto Arts Trust, britto.space@gmail.com (Bangladesh) Prameya Art Foundation, opencall@praf.in (India) Siddhartha Art Foundation, sthapa@mos.com.np (Nepal) Vasl Artists' Association, vaslresidency@gmail.com (Pakistan) Theertha International Artists' Collective, theerthaiac@gmail.com (Sri Lanka)